About time, wouldn't you say?

That is all. 

Of two minds

As some of you know, I'm currently drafting the sequel to The Heir's Choice. The weird thing about it is that I sorta think it's done.

But I'm not sure.

See, my rough drafts are done as soon as I feel I have enough information mapped out in my head to rewrite the whole thing to my computer. This rewritten draft will be the draft that I edit.

Unfortunately, the completion of my rough drafts always creep up on me. I can't say something like "Only five chapters to go and I'm done." Instead, I'll be writing along happily, only to realize that I don't have to write any more of the story. At least, not yet.

I've been getting a hunch for two days now that I'm at the end of this draft. And today, this hunch crystallized in my brain into "Yup. This is done."

Thing is, this happened much sooner than expected. Almost exactly 20k words in. Okay granted, this is the second time I rough drafted this story. So maybe my brain's feeling like I rehashed some stuff that I can use in the rewrite. Which means that yes, I probably do know everything I need to in order to write out the whole thing.

But therein lies the rub. Probably. 

I have a ton of aspects to the story left unexplored. I know they're there. I know that I haven't really figured out how everything fits together. Which means that there's a very real possibility that I might want to start rewriting early next year, only to discover that no, the story wasn't as done as I thought. Something like that happening could be catastrophic to my plans.

That said, my gut and my muse says that this is done. That I can turn what I have between the two drafts into a plot and (more importantly) a story.

But at the same time, I just can't help wondering if my muse doesn't want to move on just because she's working to a schedule.

Advice? Anyone?

Update Day: September Edition

For those of you who've missed these posts, Beth Fred and I host a bloghop once a month where people can share their crazy or crazily important goals with us. Mine is, as stated at the top of the blog, to earn $7500 in royalties per month, every month, for a year, by 2018.

So how am I doing with that?

Well....

I got set back by a lot this year. At first, issues with my former publisher. Now, my business. The wonderful thing about the business is that it's taking off in a huge way and very fast. The bit less than wonderful thing (specifically when it comes to my five year goal) is that it's slowing down my process. By a lot.

I mean, I currently have very little time in which to do edits. Problematic, because I wanted to publish the two YA Epic Fantasy books in my series by 31 October. The problem is that I'm just not happy with the editing to the second one. (As in, I've edited a lot, thanks to some awesome critiques, but I'm still not sure that the story is "done" enough to start with final polishing.)

As such, I'm going to postpone the publication date by a month and see if I can make that. I might. I suspect that those extra 30 days will be all I need. That said, it also depends on the editor who'll do the final copy edits and the cover designer. And of course, given that I'm sending my book out to another round of beta readers, on how long they take to get through the Heir's Choice. Incidentally, if you're looking for a crit partner/beta reader/just plain sounding board/help on finding the flaw in your submission, I'm looking for Beta Readers too. Click here for more info.

Oh yeah. I forgot to mention "formatting two books for publishing." I've decided that I'm just going to have to learn this skill for myself, so you'll probably be reading a lot of grumbly posts on this subject in the near future.

Okay. So let's look at what's been done in September: 

1) I've almost finished the rough edits to The Heir's Choice. I'm hoping to finish them completely by Monday.
2) Got ISBNs for three books: The Vanished Knight, The Heir's Choice and Birds vs Bastards.
3) Gave Birds vs Bastards (and both its planned sequels) an awesome name. Which I'll announce specially when there's not so much going on in a post.
4) Wrote and edited the blurb to The Heir's Choice. At the moment, I'm pretty happy with it, but I'll look at it again at the end of the month.
5) Sent Birds vs Bastards out for copy edits. Yep. This one really is almost publishing ready.
6) Contacted graphic artists to design all three covers.

What should be happening in October:

1) I want to send out The Heir's Choice to beta readers.
2) I want to do the copy-edits on Birds vs Bastards. (Assuming the lovely ladies helping me with this get the editing done.)
3) I want to critique/whatever the exchange is for someone beta reading The Heir's Choice. 
4) I want to start playing with formatting to learn. Birds vs. Bastards will probably be my test subject for this.
5) Lastly, I want to resume drafting my mystery project, the sequel to The Heir's Choice, ES1, SS1, P, MDtS and RH. I want to see if I can finish the rough drafts by the end of the year.
6) I also want to get some reading in. I'm woefully behind, but being honest, this is pretty low on my priority list.

One more thing in October: 

Remember in the beginning of the year when I mentioned writing a story for an anthology? Yup, it's coming out on 14 October. 

This cover really is perfect for this time of year, don't you guys think?

Blurb: 

Twisted Earths is a collection of tales from Untethered Realms, a group of speculative fiction authors. The stories are as varied and rich as the types of soil on this and other planets--sandy loam, clay, knotted with roots and vines, dreaded paths through unexplored planets, and in enchanted forests, lit by candlelight and two moons.

M. Pax, author of the series, The Backworlds and The Rifters spins a tale called Patchworker 2.0. Specialists with digital interfaces are the only ones who can distinguish between biological energy and mechanical pulses, and "patch" AIs, which hold the world together. Patchworker Evalyn Shore meets up with an AI with deadly intent.

Cherie Reich, known for her epic fantasy series The Fate Challenges and The Foxwick Chronicles, presents Lady Death. Umbria, a beautiful and powerful swordsmith, is given an impossible task by her brother Leon when he asks, "You are the assassin. Are you scared to destroy Death when you are up to your elbows in it?"

Angela Brown is the author of the paranormal Shadow Jumpers and NEO Chronicles series. In her story, In The Know, Jacob, a loyal family man is struggling to stay out of debt when he's hired to report on big plans for a future Detroit. He's given a mysterious manila envelope with instructions to "open it alone" or pay the price. With switchback twists you won't see coming, a debt of a much steeper cost is what he just might end up paying for his involvement.

Catherine Stine, author of the futuristic thrillers, Fireseed One and Ruby's Fire, offers The Day of the Flying Dogs, a sinister tale of brilliant, troubled NYC high-school student, Theo. He experiences a day at Coney Island that includes drugs, delusions, a lonely capybara, Nathan's hotdogs and a mind-bending lesson in our very twisted universe.

Christine Rains, known best for her paranormal series The Thirteenth Floor, gives us The Ole Saint, a story at once sweet, horrific and heartrending. Ezra longs to fit in and have boys stop calling him witch and freak, yet his unique supernatural skill sets him apart, and the last gift from The Ole Saint cinches the deal.

Graeme Ing, known for his young adult fantasy, Ocean of Dust, presents The Malachite Mine, a gripping, scream-inducing ride. Whatever was Mary thinking when she accepted her husband's gift of a most terrifying twenty-first birthday celebration in an abandoned Russian mine?

River Fairchild, author of the Jewels of Chandra series, presents A Grand Purpose. Rosaya and her cousin, Drianna are soon to be married off, but Rosaya is unhappy with her assigned match. She's much more intoxicated by the older Firrandor, a wizard she hardly knows. When Rosaya is accused of killing an oracle boy, all bets are off, not only for her love, but her freedom.

Gwen Gardner, who pens the cozy paranormal mystery series, Indigo Eady, adds to her collection with Ghostly Guardian. Indigo and her rib-tickling ghost-busters must travel to a dangerous pirate-laden past in order to unearth a curmudgeonly eighteenth century spirit that is plaguing the Blind Badger Pub.

Misha Gerrick, whose War of Six Crowns series is forthcoming, gives us a story called Red Earth and White Light. Emily, a young ghost bride has long haunted a house. She longs to cross over into the afterlife, but she's trapped in memories of lilies and betrayal.

If that's not awesome enough, check out this offer:



Preorder at: Amazon, iTunes or Barnes & Noble

Wow. This was a LOT of news!

How are you doing? Anyone want to beta read The Heir's Choice?

Calling All Beta Readers!

Hey all! I hope you're all doing great.

Me... wonderful. Shoe biz is taking off, while slowly but surely allowing me more time to work on the books I want to publish this year.

I'm hoping to finish my current round of edits by the end of the month, but I don't think I'm going to make my self-imposed 31 October deadline. But that's okay. I've achieved a ton.

That said, I need some help. More specifically, beta readers.

For those of you new to the term, beta readers read over the story and comment on things they liked, or didn't, or things that didn't make sense, that sort of thing. In particular, I'm looking for people who can highlight where I still haven't brought in enough information from the previous series.

And as always, I'm willing to repay by critiquing your work, beta reading, or even searching for and finding what's making a story not work. (I'll try my absolute best at this, of course.)

If you're interested, please leave a comment with info on your book (name, genre etc), what you'd like for me to do in return, and your e-mail address. 

Now, the information on my book:

Genre: YA Epic (Portal) Fantasy
Name: War of Six Crowns: The Heir's Choice
Blurb (still needs editing): 

Sixteen-year-old London girl Callan Blair thought that going to the elves would unlock the mystery around her past. Instead, it thrusts her right in the middle of Tardith’s political games. On the one side are the elves and King Keill, her grandfather. On the other, King Aurek of Icaimerith, who also moonlights as the evil entity that has destroyed Callan’s life many times over.

Aurek is on the edge of erasing the elves out of existence. The only thing that will stay his hand: Callan marrying his heir. Not wanting to let her choice destroy a nation, she agrees.

At least she isn’t going into the lion’s maw alone. Quinlan Westenmere, the Nordian commander who had brought her to the elves, swears to go with her. Only he insists she take more Nordians with her. Darrion and Gawain are tasked with rescuing the Black Knight, Nordaine’s last blood heir, and Aurek has him.

Things don’t get simpler as the wedding approaches. Gawain refuses to support Callan's decisions. She has to betray both the elves and Aurek to help find the Knight. On top of that, her elvish entourage leaves much to be desired.

But nothing compares to her meeting the man she’s to marry.   

So... what do you think? Anyone interested in helping a girl out? 

Back to the drawing board...

If you've been reading some of my more recent posts, you'll know I've been shifting information from later books in my War of Six Crowns series to the second book. Not info dumping, mind you. Just... enough to make things more interesting all round. 

But. 

Okay before I get into that, I should explain to the readers who recently joined. Once upon a time I wrote a book called Doorways. While querying and submitting Doorways, I contemplated (and possibly should have followed through on) self publishing it. As a result, I wrote the sequel while Doorways was out being queried, since I saw value in having the sequel ready to edit after publishing the first book. 

However, the publisher I sold Doorways to insisted I split the book in two, effectively turning a four book series into a five book one. Doorways became The Vanished Knight and The Heir's Choice. 

But. (And now we're all on the same frequency)

Splitting Doorways means adding information and changing focus and all sorts of things to its two halves in order to make them books that could stand alone. 

Which has put a bit of a wrinkle in my plan. I like TVK and THC like they are now. And honestly, I think they're much stronger books than Doorways was. What I didn't expect was that I'd go to the sequel to THC with the view to rewriting it, and discovering that I'd have to draft it again from scratch. 

Again... let me explain. I always write two drafts to a story. The rough draft, where I form the foundation of what the story again, and the rewrite, where I take what I'd learned in the draft, form a plan, and write the story around the plan a second time. (Main reason being that all my roughs are hand written. So I always have to rewrite in order to get the story onto the computer in order to edit.) 

What all this means is that basically, nothing that I'd written in the sequel (let's call it Wo6C3 because it has no name yet) can be used in the rewrite, because none of the major things originating in TVK and THC are being addressed. Which means I've had to put three months of rough drafting into my publishing plan for Wo6C3 when I thought the rough draft was done. 

Which, if you know what my plan for the next five years looks like... is just annoying. Oh well... a writer has to do what a writer has to do. And sometimes, I just can't plan for these things. 

So... at this moment, drafting Wo6C3 will be my priority for Camp NaNo. (All while editing THC.)

Anyone else find that editing one story makes the sequel you wrote obsolete? 

Thoughts on editing The Heir's Choice

As some of you may know, I'm busy editing The Heir's Choice at the moment. I haven't really said much about how I'm doing, but let me just say this:

Editing a sequel is hard. 

Especially because the sequel and the first book were two halves (literally) of the same book. See originally, I had this awesome 107k word book that I had to split.

And the approximate split was as follows:

The Vanished Knight: 65k words.
The Heir's Choice: 65k words.

"Hey wait!" you might exclaim. (It's all very dramatic in my brain, I promise you.) "That doesn't add up!"

No. Because in order to make TVK into a book on its own, I've had to add about 15k words to the first half of the original book. Which is great.

Except for the bit where every single one of those changes has to be worked into THC. Which is most of what its extra 15k words consists of.

And then I'm not even getting into the real challenge.

As you might know, I'm going to re-publish TVK and publish THC at the same time. There is a very very good reason for this, but I'm not going to go into it. First, I want to see if my plan works.

But if it does work, most of the people reading THC will be doing so immediately after finishing TVK.

So what's the challenge? (Aside from marketing.)

If I assume that my plan will work, no one will want constant reminders of what happened in TVK. If my plan doesn't work, everyone will want a TON of reminders. Which leaves me with the unique challenge of striking the right balance between too much information and not enough.

While making sure that all the main strings I left hanging at the end of TVK gets picked up in THC.

Simple.

Except.... TVK has a lot of strings.

How are you doing? What are you doing at the moment?

Getting back into the groove.

Sorry for disappearing yesterday. I came down with a bad cold yesterday, which means I slept through most of it.

Luckily I feel lots better, so now I'm back.

Speaking of "back", I can safely say I'm getting back into my writing and editing groove. Yesterday I officially finished my revisions to The Heir's Choice and started sending it out for critique. (Note: done while "dying" of a cold.)

I also edited a short story that's going into an anthology before turning in for the night.

Which means, ladies and gentlemen, that I'll be able to draft again! The last time I actually wrote something was back in very early February, and even then, it was only two thousand (I think) words.

So I'm way past overdue. The only thing is that I'll have to reread my old work in order to pick up all the story strings again. Which isn't always THE best thing to do when I've just come off editing.

That said, I'll just have to suppress the inner editor and get it done. I really do have too much to do and too little time for me to bend to my IE's whims.

But as I type this, I'm getting a feeling of what I want to do above all, and right now, I want to start rewriting the sequel to The Heir's Choice. I had it scheduled for the last three months of the year, but hey, I've got momentum right now. I can always do rough drafts later...

Or even at the same time.

What are you working on at the moment?

It's a trust thing...

So the good news is that I'm getting into edits and writing and thinking about writing etc. once more. Which means that I'm probably going to get back to posting a bit more regularly again. But then I have a bit less time than I'd like, so I might not. I am, therefore sticking to posting as and when I have something to write about. In the meantime, I'm trying to get around to visiting more of you.

In the meantime I'm going to draw some inspiration to an experience I've had while editing on Friday.

Just to recap: As some of you probably know, I had to split my first book into two in order to sign with my former publishing house. Which means that (even though I now have my rights back), I have to make sure that both halves have to stand on their own as stories.

See, for me to put the stories back into one book would require undoing a ton of work, and that's just not my style. As a result, I've had to form a smaller story arch to carry the over-all story that runs through the whole series.

To a large extent, I did this already for the former publishing house, but basically I was told that the story-line wasn't strong enough.

And if you read Wednesday's post, you'll know that I've been grappling with ways I could strengthen the story.

Believe it or not, I published that post, opened my manuscript and made the second change that occurred to me. Even better, I think it works. Better than that, it's truly an elegant solution. It was a simple change, about 1500 words added in, and ever since, the repercussions of the addition have continued to improve the story.

Bet you want to know what I did.

Lucky for you, I'm awesome, so I'm going to tell you.

I took a bit of information that I'd kept for the big shocker reveal at the end of book four, and I put it:

Right. 

At. 

The. 

Start. 

Of book 2. 

Aaaaaaah... the lovely sounds of writerly minds screeching and screaming "what?!"

Now what could possibly incite me to do that? I mean, there's the shock value. The horror. (Because it really is a horrible thing that's going to happen.) All the emotional impact I could have gained! 

"Undo it," some of you will be screaming at your screens. 

To which I say: "You of little faith." 

See keeping information for a huge reveal has its places, I know. But darlings, if something really really big is set to happen, it might just be better for the reader to know it could happen, early on. 

Why? 

Stakes, darling. By showing what could happen, I've set up some huge ass stakes. I've also forced my character into doing something she might have done anyway, but some people struggled to understand before. 

"But still," some might sob. "The big reveal!" 

And this is where the title for today's post is from. See, sometimes, we need to trust that our knowledge about our stories isn't finite. See, I know that by the time I'm at the end of book 2, I will more than set up other HUGE, SHOCKING, HORRIFYING things to happen in the sequels. So taking one and using it for all it's worth isn't a bad idea. 

In fact, it's perfect. Exactly what I needed. 

So if you get stuck, think about revealing your "big reveal" sooner. I promise you that doing so will lift a saggy middle and set up something even better for the end. 

All you need to do is trust yourself. 

Anyone else notice a vast improvement in plot strength from revealing information sooner? 

Update Day

Hey all! Welcome to yet another update day! It's scary to think that next month we'll be half-way through the year.

For those of you who don't know, I have a list here of people who have big goals and every month, we update each other and the world on how we're doing. Anyone's welcome to join, so do go sign up! 

So how did I do? 

Basically, I gave up on doing any edits this month about half-way through, since my mind just wouldn't fall into line. So instead I got back to doing needlepoint with my writing music blaring in the background. And I did farm-related work (of course, being my job). Also, I pretty much got into the car whatever opportunity I got to escape for a few hours. 

You'd think I'd be here saying that once again, I got absolutely nothing done. 

You'd be wrong. This month I finished cleaning up The Vanished Knight for publishing and revised nine chapters (out of 26) of The Heir's Choice. 

So, still not at last year's levels of productivity, but hey, I'll get there. At least I can say I got started. 

Hopefully I'll be able to finish this round of revisions within the next two weeks. If I do, I definitely want to get some drafting in. It's way past time. 

Which means, my year (past and planned) looks like this: 

How are you doing? 

Some editing thoughts...

I guess I'm doomed to never enjoy simple projects.

Okay maybe "doomed" is a too strong word. I actually like challenges. I thrive on them. That's why the first book I ever finished was Doorways, and why splitting it into The Vanished Knight and The Heir's Choice wasn't daunting.

It's what compels me to buy the finest canvas for tapestry work, what makes me want to do bridgework on cakes and what makes me want to paint complex things in oils on canvas.

However, it's the same thing that compels me to look at The Heir's Choice, know that I need to change something big, and have no idea how to work it into what I've written.

And now, as I'm writing this, I'm sort of thinking that I really don't need to change that thing. Maybe the real change should be something else entirely. Maybe I just wanted to change the impossible thing because it's a mental exercise for me, and not really what needs to be done.

One the other hand.... this something else is promising... hmmm....

Anyone else editing? How's it going?

What I'm working on at the moment.

Heads-up: I'll be critting queries, first chapters and or synopses next week at Unicorn Bell. If you've been struggling to get your submission stuff just right, feel free to send all three in and I'll see if I can root out any issues. Please send submissions to unicornbellsubmissions(at)gmail(dot)com. Put my name in the subject line. 

Right. On to today's post. 

At the moment, my biggest priority is to prepare the two War of Six Crowns books for publishing. The first book, The Vanished Knight, basically means that I need to apply all the proof-reading I'd sent in before Etopia published it. Interestingly, though, I'm finding lots of errors that somehow got missed, despite the fact that Etopia has a very rigorous editing style.

I guess that goes to show that no matter how you try, you'll never be done editing.

I guess I could do all this later, but there are some benefits to going through The Vanished Knight before getting into the sequel.

Firstly, it lets me pick up all the strings I left loose for the rest of the series. There are lots of them, and many are very fine and subtle. The other big thing it does is let me get a feel for the narrative voices again. There are five, all are different. And the thing is, I've been working on other stuff in between so it's not just a matter of launching back into things.

That's the thing that I'm worried about most, making sure that the voices keep feeling like they're progressing naturally as the characters develop. Plot and character arcs are easy to keep track of, but voice... voice develops as the stories go on, and it has to feel natural or it won't come across right. Especially when the reader will potentially read the two books sequentially. (Likely when they'll be coming out at the same time.)

And when the sequel requires more revisions and edits, having the voice right is just plain helpful.

So that's what I'm doing at the moment, but I'm hoping that by Wednesday  next week I can start revising the sequel. I want to take about two months to finish those revisions before getting into edits.

I have to say, though, it's just too damn good to be actively working on something again. What are you busy with at the moment?

Good News!

I have a new editor.

The Heir's Choice is back on track.

I have to say that it's great of Etopia to find me a replacement so fast. Editing begins tomorrow. :-)

Moonless and Update Day

Hey all!

Sorry for the weird, random silence these past week or so.

Remember when I told you that I was moving to a farm? Well... Said farm had zero connection. No internet, no landline, no mobile phone signal... nothing.

As a result, I haven't been on the internet since the last time you saw me. Except a brief stop before my mobile's data ran out.

Anyway, today I want to do two things. First, I'm welcoming Crystal as part of her Moonless blog tour, then I'll be telling you how I've been doing with my crazy goals.

So first: take it away, Crystal!

Where did MOONLESS Come From?

It was 2002, I had just come off a Dickens reading binge and was querying my first novel when I sat down at the computer with two words in my head: Blue Eyes.

One week and a hundred pages later, I stared at the first draft of the easiest story I’d ever written—a sweet, coming of age tale based in the 1700’s.

Hit the brakes!

As a woman with five brothers, I didn’t write “sweet, coming of age stories.” I wrote fantasy—scary fantasy with action, high stakes, and explosions! I wouldn’t even pick up a book if it looked “girly.” (*ahem* That has since been remedied.)

This little novella sat on my computer and I occasionally glanced at it…or maybe added a page or fifteen while blushing and waiting for my tomboy alternate ego to kick me in the teeth. It was nothing. A silly little love story that made me roll my eyes in embarrassment or (when no one was looking,) sigh contentedly.

Until.

Oh the magic moment when I realized it was a piece of my larger story world—the one that RULED MY WRITING BRAIN and had been brewing since I was thirteen. The hero, Mister Blue-Eyes-Who-Will-Consume-Your-Soul (a title bestowed by my fabulous editor) was a key player in a MUCH larger story.

The manuscript underwent a makeover and burgeoned into the entity it is today—adequately scary with fantasy, action, high stakes, explosions (minus TNT), and romance. *gasp*

Simply put, it came in layers.

So if you’re writing a book and it’s a brand sparkling new idea, I suggest taking your time. Give it a little room to germinate, to infest, to overrun your daylight life. The results may astonish you. And hopefully the rest of the world too.

Thanks so much Crystal! 

As part of her tour, Crystal is giving away some AWESOME prizes, so go enter the draw now. :-)

In the English society of 1768 where women are bred to marry, unattractive Alexia, just sixteen, believes she will end up alone. But on the county doorstep of a neighbor’s estate, she meets a man straight out of her nightmares, one whose blue eyes threaten to consume her whole world—especially later when she discovers him standing over her murdered host in the middle of the night.

Among the many things to change for her that evening are: her physical appearance—from ghastly to breathtaking, an epidemic of night terrors predicting the future, and the blue-eyed man’s unexpected infusion into her life. Not only do his appearances precede tragedies, but they’re echoed by the arrival of ravenous, black-robed wraiths on moonless nights.

Unable to decide whether he is one of these monsters or protecting her from them, she uncovers what her father has been concealing: truths about her own identity, about the blue-eyed man, and about love. After an attack close to home, Alexia realizes she cannot keep one foot in her old life and one in this new world. To protect her family she must either be sold into a loveless marriage, or escape with the man of her dreams and risk becoming one of the Soulless.

Goodreads

Buy Moonless

Crystal, author of MOONLESS, is a former composer/writer for Black Diamond Productions. She can be found practicing her brother-induced ninja skills while teaching children or madly typing about fantastic and impossible creatures. She has lived from coast to coast and now calls Florida home with her creative husband, three littles, and “friend” (a.k.a. the zombie locked in her closet). Secretly, she dreams of world domination and a bottomless supply of cheese. 

Blog | Twitter | Goodreads | Facebook | Website

For those of you who don't know, I host a bloghop on the last Friday of every month where writers can share their crazy/crazy important goals and update us on how they're doing. You're more than welcome to sign up!

This month, believe it or not, went swimmingly. 

First round of revisions to The Heir's Choice  was done by the 16th.
The move went well, and the unpacking's almost done.
AND I'm about 3000 words away from winning NaNoWriMo, so I might even win tonight! Needless to say, I'm pretty dang shocked and pleased with what I've been able to accomplish.

How have you been doing?

Also:

HAPPY THANKSGIVING!!!

Edit: I've now won NaNoWriMo. This is what my month looked like. See the bumper amount of writing I did earlier this week? Yeah... didn't know I could draft that much in two days...

Announcing the Title, the Winner, and My Progress

As some of you might know, my upcoming book's title has changed. I ran a small competition where everyone had to guess a letter until the name was revealed. Which was done quite quick, I might add. :-)

So without further ado, my soon-to-be released title is: 

The War of Six Crowns: The Vanished Knight

And the winner, picked by random.org is: 

S.P. Bowers!

Congrats! And thank you to all who played along.

Okay. So... Today is Update Day for the Big Dreams Bloghop, which means I get to regale all who are interested with stories of my progress. 

Here's what I did in August: 

1. Finished the rough draft to book three in The War of Six Crowns series. 
2. Saw a graphic designer who'll be helping me create a brand and image for said series. 
3. Finished the content and structural edits to The Vanished Knight. We are officially in copy edits, people. 
4. Wrote half of Birds vs Bastards. 

I'm still waiting on the ITIN, which is putting a serious wrinkle in my plans. The reason for this is that without that number, I can't publish. So I'm really sitting on needles in the mean time. Without the ITIN, I don't have a fixed publishing date. And without a fixed publishing date, I can't arrange for blog tours and the like. Sigh. 

Because the ITIN puts things out of my control at the moment, I won't be setting any fixed goals with regards to The Vanished Knight. Besides, the edits will be done when the edits are done. In the mean time, I'm eagerly awaiting the production of my first ever book cover. 

The main goal I have for September is to finish the Birds vs Bastards rewrite. As soon as that's done, I'll have to clear my head and get back into draft mode. Hopefully, I'll be able to finish one more rough draft by mid-October. But I'll probably end up drafting right through November as well... 

Depending, of course, on whether or not I'm publishing during that time. Hm. 

But yep, that's pretty much where I am at the moment. 

How are you doing on your big goals? If you haven't signed up, please do. No dreams are too insane, too big or too small.